The history of buckles and clasps mirrors the history of our buttons and
trim. However, the fully functional use of the buckle for fastening the ends
of a belt likely emerged before buttons transitioned from their earliest use
as ornamental trim to their functional use as a garment closure. While
laced cords and fabric ties were functionally adequate to prevent
inadvertent exposure, sturdy belts and attendant buckles were much more
suited for securing the weapons and tools used by ancient Greeks, Romans,
and other northern Europeans. The buckle on the right is an Ordos culture gold belt
buckle from central China - circa 2nd century BC
1. The buckle was an important piece of
ornamentation throughout the middle ages, and took on its most splendid form
in the later 14th century. Metal
smiths used precious metals and gems with
rich and intricate designs. Buckles remained primarily for the wealthy until
the 15th century where improved manufacturing techniques made it possible to
easily produce molded and cast buckles available to the general population
2.
The basic buckle design takes several forms including the slide which has
one or more bars on the back through which the belt is passed. Clasps
consist of two or more pieces with a hook and eye to achieve closure. Some buckles have a bar on the back holding one or
more prongs or posts which pass through holes punched in the belt for
closure. There is also an interlock design where one side of the buckle
passes through an opening in the other half to form a closure that looks
like one piece. As with most other related specialties, buckles and clasps
parallel the construction and decoration of our buttons and can be collected
and competed in a similar manner. Buckles are made of man-made and natural
materials including bone, shell, wood, glass, synthetic plastics and metals
ranging from ordinary brass or pewter to gold and silver with precious and
semi-precious gems. Most forms of other material embellishment (OME) and
decorative finishes (DF) can be found and all shapes are represented.
Other buckle-type fasteners are included in the buckles and clasps section.
These include men and women’s shoe buckles which became fashionable during
the reign of Louis XIV in the late 1600s. They found popularity in the
American colonies in the early 1700s. Shoe buckle designs ranged from
elaborate jeweled versions with precious metals in the earlier period to the
more common imitation jeweled versions in the 20th century.
A steel and gilt example (circa 1780) is shown to the right. A second
device often found with buckle collections is the sweater guard, examples of
which are shown in the examples on these pages. The Blue Book classification
includes 2-1 Buckles/Clasp types, 2-2 Specific design features, and 2-3
Unlisted. Class 2-2 allows and supports writing awards that focus on
specific characteristics such as material types, construction techniques,
decorative finish (DF), other material embellishment (OME) and pictorials.
See the footnote at the end of Div IV listing in the Blue Book.
Hover mouse over images to see the back of the buckle or clasp.
Links in the content below open in a new window. Close the
new window to return here |
2-1 Buckles and Clasps Types
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2-1 Design - Two-piece Clasp - Brass (3-1/2 x 1-1/2")
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2-1 Design - Two-piece Clasp - Brass (1-7/8") |
2-1 Design - Three-piece Clasp - Pastes in White Metal (3-1/2 x
1-1/2") |
2-1 Design - Three-piece Clasp - Brass/OME (3 x 2") |
2-1 Design - One-piece Slide
Syroco (3-1/2 x 2-3/4") |
2-1 Design - One-piece/3 Prong
Shell (3-1/2 x 1-1/2") |
2-1 Design - Two-piece Interlock - Brass (4-1/2 x 3") |
2-1 Design - Two-piece Clasp (snap) - Celluloid and Fabric (4 x
7/8") |
Click on
this image for additional Two-piece clasps |
2-1 Specific Design Features - Materials
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2-2 Material-Vaseline Glass (1-5/16") |
2-2 Material-Glass with Paint (1-5/16") |
2-2 Material-Enamel (1-1/4 x 1-5/8") |
2-2 Enamel on Silver (Hallmark on back) (3 x 2-1/2") |
2-2 Porcelain - Hand Painted (5 x 3-1/2") |
2-2 Celluloid Shield BM "CZECHOSLOV." (2-5/8 x 1-5/8") |
2-2 Fabric - Frog (1-3/4 x 1-1/4") |
2-2 Celluloid (3-3/4 x 2-1/4") |
2-2 Celluloid (2 x 1-1/2") |
2-2 Celluloid Tight Top (5 x 2-1/2") |
2-2 Celluloid with Pastes (3-1/2 x 2") |
2-2 Bakelite (4-3/8 x 2-1/2") |
2-2 Bakelite (1939 Worlds Fair) (3-1/2 x 2")
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2-2 Transparent Opalescent Glass with Silver DF (2-7/8 x 1-1/4") |
2-2 Brass (3-1/2 x 1-1/4") |
2-2 Brass (3-1/2 x 1-1/4") |
2-2 Silver - Glass OME (7-1/8 x 3-7/8")
Peasant silver clasp from the south Balkans |
2-2 Glass in Metal (3 x 2") |
2-2 Horn with shell inlay (Three-piece) (3-1/2 x 2-1/2") |
2-2 Material-Brass/White metal (1-1/4 x 2-3/4") |
2-2 Glass in Metal (2-1/2 x 1-3/8") |
2-2 Brass (Real Lock) (1-13/16 x 1")
Mark on Front "Eagle Locks Terryville Conn USA" |
2-2 Leather with Brass OME (1-1/2")
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2-2 Bakelite (1 x 7/8 x 1") |
2-2 Modern Plastic (1-1/2 x 3/4") |
2-2 Copper - Wound Wire (1-15/16 x 1-1/4") |
2-2 Pewter with Brass Prongs (1-1/2 x 7/8") |
2-2 Bronze Belt Clasp (Was riveted to Belt) (2")
(Ref. 3)
Click
here to see other pre-18th century fasteners
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2-2 Brass - Wound Spring (1-1/8") |
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Credits and References:
1. Ordos culture gold belt buckle -
http://www.britannica.com/EBchecked/topic/530382/Scythian-art
2. Gerald McGrath and Janet Meana: Fashion Buckles - Common to
Classic
3. Warren K. Tice: Dating Buttons, Published 2003 by Warren
K. Tice (documents pre-18th century examples used herein)
4. National Button Society Blue Book, 2013- 2017, Official NBS
Classification and Competition Guidelines
Acknowledgements and Credits:
Special thanks to the collaborators who made
examples from their collections available for the images shown on
this pages. They include Jerry McGrath, Pat Howard, Jeffrey Lee, Lou
Yeargain, Annie Frasier, Phyllis Ross, Jane Johnson, Barbara
Barrans, and Gary Brockman. Others who contributed reviews, comments
and support include Adrienne Bennett, Gwen Niemisto, Jane Perry, Pat
Koehler, Ronnie Wexler and Jane Porter.
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